Apple Pro Training Series Final Cut Pro for Avid Editors by Diana Weynand

By Diana Weynand

Up-to-date for ultimate lower seasoned 7 and written for pro video and picture editors who recognize their approach round Avid nonlinear platforms, this booklet indicates you ways to translate your abilities to ultimate minimize professional speedy and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a accomplished "translation path" overlaying the entire crucial operations, from venture set-up and easy modifying via transitions and results, colour correcting, compositing, titling, and output. you will discover distinctive function comparisons, useful conversion assistance, and directions on the way to use ultimate minimize seasoned gains that are not on hand in Media Composer. you are going to additionally examine what is new in ultimate reduce seasoned 7. choked with convenient beneficial properties, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex modifying and workflow information, this booklet could have you enhancing with ultimate reduce seasoned in checklist time. every one bankruptcy represents an entire lesson in a key point of ultimate lower professional 7 and contains a overview part and checklist of keyboard shortcuts.Accessible writing sort places a professional teacher at your sideAmple illustrations and keyboard shortcuts assist you grasp suggestions fastChapter overview sections summarize what you may have discovered

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Additional resources for Apple Pro Training Series Final Cut Pro for Avid Editors

Sample text

Use the keyboard shortcuts from the Mark > Mark Split menu. Control-click the Viewer or Canvas scrubber bar and choose an edit point option from the shortcut menu. Set an edit point in the Viewer, Canvas, or Timeline. To adjust just the video aspect of the mark, Option-drag the upper portion of either the In or Out mark. To adjust just the audio, Option-drag the lower portion of either mark. Video marks Audio marks Adding and Deleting Tracks To remove a split edit point, choose Mark > Clear Split and choose one of the options, or clear both parts of the audio or video split by using Option-I or Option-O, and rebuild the split.

In addition, you can create a subclip from a portion of a sequence, and even remove a subclip’s limits if you want to use more of the master clip material. Creating Avid subclips To create a subclip from the Viewer: 1 Open a clip in the Viewer. 2 Mark an In and an Out point for your new subclip. 3 Choose Modify > Make Subclip, or press Command-U. In the Browser, a new subclip is created and placed automatically beneath the clip from which it was created. An FCP subclip is always named after the original clip, and like in Avid, each new subclip created from that master clip is given a subsequent number.

Patching area Track Lock controls Auto Select controls Visible controls Audible controls Track height To control Timeline tracks: Most of the Timeline track controls toggle a function off or on, just as they do in Avid. Do one of the following: To lock a track, click the Lock Track control for that track. To turn the sound of an entire track off or on, toggle the Audible control for that track. To turn video of a track off or on, toggle the Visible control for that track. NOTE  When a Timeline track is not currently audible or visible, it appears dark.

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